Thursday, July 22, 2021

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 Crazy (co-written by Doremus and his frequent companion, Ben York Jones) and the structure of his story are likely to lose some viewers. The film explores a specific moment in a long and winding relationship; The jump between scenes can be a bit confusing, even if Doremus tries to smoothly transition to the viewer using technical tricks like editing or time-lapse recording. Nevertheless, there are several points in the film where an intimate or emotionally intense scene paves the way for the characters to a new time and entirely new circumstances, and Doremus and Jones are not always able to retain the narrative or thematic outline they want. to be followed.

These breaks are especially noticeable in the storylines supporting the characters of Samantha (Jennifer Lawrence) and Simon (Charlie Bewley) - two people Jacob and Anna are embroiled in as they struggle with their relationship. Sam and Simon's upcoming and eye-catching moments point to drastic changes that the viewer must accept suddenly and without warning, and highlight a second problem with the filmmakers' narrative approach: focus.

In this film, the love between Anna and Jacob is almost more of a character than the lovers themselves, in the sense that we see every moment their love sparkles or falls over (for better or worse) and is obscured by another person. difficulties or were healed by re-healing. Of course, the film is about the interactions of James and Anna - and in this respect, the film is very underrated, often based on inference and subtlety - but given the importance of certain details and secondary characters, there are important moments that the viewer never notices. insight into ... Through the class structure, Crazy asks us to just accept the occurrence of certain changes in circumstances or characters without being able to see the turning moments,

This question becomes even more apparent even at the end of the disturbing moments of the film, which is sure to confuse all viewers with the proverb of "ordinary essence", while completely deterring others. Shame because the subtlety of Doremus and Jones puts their story to a serious end to Like Crazy and gives an insight into the nature of love. And considering the talents of the two actors who tell the story, it would be easy, even enriching, to mark a few key moments along the way that made the goal even more satisfying and sonorous.

"The Rock" is the one that is primarily responsible for making Central Intelligence better than the comedy plot and the sum of the twists. "Bob Stone" (I think John Candy is dating Arnold Schwarzenegger) most closely resembles Johnson's real public figure of all the roles the actor has turned to a wrestler to date - not only one of Johnson's most enchanting unconventional and loving performances, but at the same time unexpectedly vulnerable in its own comic way. Central Intelligence also includes a certain amount of self-reflection (and self-rescue) jokes about "The Rock," most of which only work because Johnson is so eager to entertain. Bob "The emotional arc in the movie is similarly disappointing because of that

Thurber has more experience directing comedy than operational filming, so it's no surprise that Central Intelligence uses Johnson better for comic effects than for stunning action sequences. While Thurber and photographer-film director Barry Peterson (Jump Street 21 & 22) make a lot of solid, visually oriented jokes and visual profiles based on Johnson and Hart's very different physical sizes, they are less successful in creating an extraordinary quarter. fight scenes and shooting - even if there is someone like Johnson who can handle the stunt job. Central intelligence is therefore unable to strike a balance between memorable comedy (single-line, comic-book images) and such thrilling thrills.

Since Central Intelligence focuses primarily on Johnson and Hart's enemies, the rest of the supporting actors - including Danielle Nicolet (Reborn Virgin) and Amy Ryan (Spy Bridge) as Calvin's wife, Maggie, and Bob's CIA chief, Agent Pamela Harris - were allowed to play more established characters to get movie stars backing off their jokes. Nevertheless, they play a role well in the film, as do other famous characters who either play cameo roles or play small but important roles in the Central Intelligence story (leaving their identities as intact as possible to keep the surprise). .

After all, the comic chemistry of Kevin Hart and Dwayne Johnson saves Central Intelligence from being an interoperable but memorable mainstream action / comedy. The movie doesn't put much of an explanation (in terms of storytelling quality and filmmaking), but it manages to clear that track in a big way thanks to its performancean assumption (way, way, out) in a long meditation on the nature of life, death and all imprisoned people.

The meditative sound begins quickly as the movie opens in a hospital room, where a dying woman asks her daughter to read it from the diary of a man named Benjamin Button, hoping that Button's thoughts about an underdeveloped life will give her some perspective in her life. in their own last moments. The rest, as they say, are reflections. The point is, these feedbacks make us feel like we're going through the type of dream we remember. Thanks to the brilliant director David Fincher.

Six years after the release of the nostalgic arcade adventure game Wreck-It Ralph, Walt Disney Animation Studios continues: Ralph cuts internet access. Known for its iconic princess films, child-friendly adaptations of fairy tales and - for a short time in the early 2000s - experimental animation features, Disney rarely releases theatrical sequels to its films. Instead, Disney focused more on continuing the live video with animated blockbusters. However, that begins to change as Ralph Breaks gets its online theatrical premiere, and Disney plans to debut Frozen 2 next year. Now fans have the chance to see the Ralph Wreck-It characters on the big screen again during the course of the movie. Ralph Breaks The Internet is bigger and friendlier with Disney's fun nostalgia,

Ralph Breaks is on the Internet six years after the events of Wreck-It Ralph, and Ralph (John C. Reilly) and Vanellope (Sarah Silverman) remain best friends, spending each night together, discovering the arcade closed at Litwak Family Fun Center & Az. It quickly becomes clear that Vanellope was tired of the monotony of his life, there were only three numbers in the Sugar Rush race car. When Ralph tries to give Vanellope something new by building a new experimental track, his player accidentally interrupts Litvak's game. And when the company that built Sugar Rush went bankrupt, Litvak found it easier to shut down the game entirely than to spend too much money on a spare part.

While Fix-It Felix Jr. (Jack McBrayer) and Sergeant Calhoun (Jane Lynch) take part in abandoned Sugar Rush racers, Ralph decides to go online and buy a spare part himself. So Ralph and Vanellope begin their internet search for parts of the game. Their adventure reaches them through different worlds of the internet, including the online game Slaughter Race, in which they meet the rider Shank (Gal Gadot), whom Vanellope quickly begins to imitate. Ralph and Vanellope also come across the personalized search engine KnowsMore (Alan Tudyk) and Yesss (Taraji P. Henson), the main algorithm of the site called BuzzTube, which is a combination of BuzzFeed and YouTube. However, it becomes clear that Vanellope and Ralph don't meet face to face as they talk about their dreams of what their life could be like.

from the audience so that they can be appreciated on a deeper level.

The parenting guide summary sounds like an (unimaginable) speaker for executives with a high concept of a dirty couple paired up by two senior comedians who already outperform their quality. Thirty-year-old veteran minority baseball commentator Artie Decker (Billy Crystal) is forced to retire - obsolete and fired - just before his lively ex-daughter's wife Diane (Bette Midler) pledges to look after her grandchildren. week.

This would theoretically offer her adult daughter, Alice (Marisa Tomei) and her close husband, Phil (Tom Everett Scott), alone, while the latter would receive an award for a breakthrough in new home technology (basically Siri for the whole house). Do old-fashioned Artie and Diane clash with their Gen Z grandchildren (raised in the 21st century according to their mother's PC parenting methods)? Spoiler: Yes.

Parental Care uses a full-length sitcom narrative format, with episodic events, haunted humor, and a third action that blends everything (with the life-empowering lessons you need). It's easy family fluff in every sense of the word. Surprisingly sweet-temperate, he has no interest in the boundaries of the PG classification, avoids greetings beyond greeting - and (shockingly) thinks about certain aspects of modern American life and the differences between generations. And yes, despite the fact that a few people have been dealing with Crystal feet for a long time and the kid who has a bathroom

Avengers, Iron Man 3, Thor: The Dark World and Captain America: After the events of the Winter Soldier, Ultron Age finds secret heroes in a campaign to capture Hydra's loyalists and secure alien technologies (which went wrong). hands). The Crusade is nearing the edge of the structure of Iron Man, Captain America, Black Widow, Hulk, Thor, and Baron Hawk-Eye - a Hydra officer who is experimenting with Loki's fall in hopes of using his powers.

During the attack on the Sokovian Strukker complex, the Avengers encounter "increased" enemies, Pietro (Quicksilver) and Wanda (Scarlet Witch) Maximoff - as well as scientific data coupled with the development of Tony Stark's artificial intelligence to defend the Earth from the increasing alien invasion ... danger . To protect the world from future wars, Stark creates his worst nightmare: Ultron, a destructive AI that bends to hell to play God - and takes revenge on its creator.

for two and a half hours). hours).

Central intelligence revolves around Calvin Joyner (Kevin Hart), a mild mandarin accountant who has been increasingly frustrated by the revelation of his life since he was king of high school. With his twentieth high school reunion just around the corner, Calvin will soon cross the street again with Bob Stone (Dwayne Johnson): the formerly obese outsider Calvin was nice in high school has now grown up and has become. the muscular (but kind and fun) lady - couldn't wait too long to reconnect with her old "best friend" Calvin. As it turns out, Bob is also a CIA agent turned villain - and now the government is hunting.

Bob tells Calvin that he was actually hiding deep. He is trying to identify a CIA traitor (code-named "Black Badger") who wants to sell terrorists classified information from the US government. Despite his protests, Calvin is forced to join Bob's mission and use his accounting skills to help solve the case, even though it is still unclear if Bob is telling the truth… or maybe Black Badger himself.

Director: Dodgeball: The true story of the Underdog, and we are Millers Rawson Governor Marshall Thurber. Central Intelligence is a useful feature / comedy that portrays Kevin Hart and Dwayne "The Rock" Johnson's features more effectively as an on-screen comic book duo than anything else. . Fortunately, the chemistry between the film's leadership - coupled with a heavy but worthwhile anti-bullying message - offsets the film's lack of material in the other classes. Johnson and Hart have already planned several films to collaborate (starting with a Jumanji reboot) and it's easy to see why, relying on the friendly and fun screen dynamics that coexist in Central Intelligence.

Hart, when Johnson is added to the mix, becomes an ordinary, though at the same time insecure, straight man to play, which is a good change from the roles in the previous comedy film - although Hart is ready to be a mouth-to-mouth comic with a motorbike when Johnson doesn't show up on the screen. Fortunately, Hart and Johnson play together a lot in the interview; this allows Thurber, along with screenwriters Ike Barinholtz and David Strassen (The Mindy Project), to build a story that is largely a series of comic book scripts, with his work (slightly better than the others, of course) Hart and Johnson focusing on a dynamic duo. The entire history of Central Reputation is finally characterized by numbers,

In Crazy, director Drake Doremus tries to describe a struggle for an affair with one of the young couples - a love that they try to maintain over the years, through geographical distance and personal and professional change. The film poses a simple question: is it possible to live something as honest, clear and fragile as true love, to live the awkward path of life?

Anna (Felicity Jones) is a brilliant and passionate young writer who was in her final year of college in Los Angeles. There he meets Jacob (Anton Yelchin), a quiet and shy young carpenter studying furniture design. Nowadays, it was Anna who took the first step and wrote a love letter to Jacob to invite her on a date where there is an immediate, undeniable and passionate relationship between them. Their love is carefree and strong until reality inevitably intervenes: after graduation, Anna's student visa expires and she is forced to return home to London. The idea is to split the tears in the hearts of both young lovers until Anna makes a bold decision: ignore her visa mandate and spend a more enjoyable summer in Jacob's arms.

Summer couldn't have been happier for the couple, and when Anna finally returns to London, they assume it will be just a brief absence. However, authorities do not approach visa issuing easily and Anna and Jacob will soon fall into a nightmare of immigration laws and bureaucratic mergers as they struggle desperately to stay in touch. This struggle for love lasts for years as Anna and Jacob grow up and change, meet and move away - trying to pursue love elsewhere, only struggling with the inevitable magic of true love.

Like Crazy, it is inspired by the fantastic performances of two young leaders. The chemistry between Jones and Yelchin is underrated, but strong and attractive that you should watch out for. The couple communicates the amount of thoughts and emotions with the simplest glances, gestures and smiles; The relationship between Anna and Jacob is real and organic, and almost always seems logical when it comes to growth and transformation. Of this pair, Jones stands out the best by playing a nicely updated version of a girl in love; the film as a whole offers us characters who, in a refreshingly modern style, turn into the gender roles and trophies of a classic romantic movie. This is a very current love story.

While the characters themselves are strong, the stimulation of Like

Despite Ant-Man's outstanding performance, Joss Whedon's Age of Ultron essentially closes the door to the story of the second phase of the Marvel Cinematic Universe while opening several windows to the third phase. The latest Avengers team creates everything fans can expect from Marvel movies: a worldwide adventure, CGI battles, future universe settings, an Easter comic, a concise character drama and an episode with Stan Lee. As a result, the movie is a must for everyone, young and old, followed by Marvel's combined take on the movie. While with larger, more sophisticated special effects, new central villains, and some compelling foundations for Phase 3 "Civil War", the Age of Ultron will be less accessible to viewers unfamiliar with the ongoing storyline - in fact,

Nevertheless, the main plot is successfully based on the films and the individual fights resulting from them - each revenge hero puts his own obstacles (physical, mental or emotional) to overcome. To that end, the addition of the Scarlet Witch (Elizabeth Olsen) and her ability to manipulate minds puts the Avengers into a deeper and darker self-esteem - revealing conflicting ideologies within the team. It's a subtler and more serious approach to conflicts between the Avengers, where fear and insecurity foster discrimination - misunderstanding ("This is beyond you, metalhead. Loki is before Asgard's justice") and superhero machismo ("You"). don't let the dude play the victim, put him on the wire and let the other one climb on him.)

Most of the actors, especially the actors they got their solo movies for, play an equal role (Captain America, Iron Man, and Thor) - a fun one-line, offering a mix of sincere personal drama and bad superhero moments. Nevertheless, the most influential scenes come from characters and characters that weren't under the title of a Marvel movie. The Hulk (Mark Ruffalo), who controls the "other guy" during Bruce Banner's fight, offers a surprisingly impressive mirror of a black widow (Scarlett Johansson) to reflect her own troubled past - and think about it. who do you want to be.

Nonetheless, the film's biggest surprise was previously the Side Avenger, Clint Barton (Hawkeye), who plays the most brilliant and appropriate role in the Age of Ultron. While Barton was an ignorant drone in the Avengers, this circle is becoming a massive cryptocurrency for a moving public

Disney Directors: Rich Moore and Phil Johnston (Wreck-It Ralph, Zootopia) Based on a screenplay by Johnston and Pamela Ribon (Smurfs: The Lost Village, Moana), Ralph Breaks is a solid sequel to the online movie Wreck-It Ralph. Its traditional sequel, Ralph Breaks, is bigger than its online predecessor, showcasing its heroes in the never-ending world of the internet. To balance this huge scenery, the plot of the film focuses directly on Ralph and Vanellope's friendship, in an exceptionally well-established way. The couple has no traditional villains to face Ralph Breaks online. Instead, the real villain - and the real danger of friendship - is insecurity. The movie is a wonderful and surprisingly impressive message of trusting friends and adjusting in a relationship that grows and develops.

An anonymous man in All in Lost (Robert Redford) finds himself in a dangerous spot in the middle of the Indian Ocean after his yacht Virgina Jean collides with a drifting sea container. The old sailor shows strength and ingenuity beyond his age as he manages to repair the damaged body of his venerable ship (despite the limited resources available to him) and pump massive amounts of flooding from the main cabin.

Due to the destruction of navigation equipment and radio, the mysterious sailor must rely on his knowledge of the sea and instincts to survive. Who will ultimately triumph in this fundamental struggle between humanity and nature?

Written and directed by JC Chandor (Margin Call), All is Lost is an amazing adventure at sea with Alfonso Cuaron's cosmic bronze along the Gravity, but without any revolutionary visual style and unusual shooting techniques. The pace of the narrative is similar, but the script ignores the philosophical and emotional aspects that are present in Cuarón's film. What it ultimately creates is a work of art that is a competent example of minimalist storytelling but feels too cold and from

Saturday, July 3, 2021

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 and a scenes. When they realize they have the same aspirations to be bigger in Hollywood, they both quickly become friends and move together to Tommy's Los Angeles apartment. There they are freed from the industry trap, they lose in auditions for years and never leave the role.

Tommy dismisses his view that he must be bad (if he's an All-American hero), and Tommy thinks he'll quit his acting career. But when Greg skillfully notices that the duo need to make their own film, the idea goes to Tommy and quickly turns the script for Peace off. After Tommy funded the project with his wealth of unknown origins, Sestero and Wiseau recruit actors and crews to make their dreams a reality. However, it soon becomes clear that Tommy is overlooking his elements, making mind-blowing creative decisions that could derail his film and change it completely differently.

The real Tommy Wiseau is as eccentric and indifferent as if a movie character came to life, so the risk similar to the Artist of the Disaster is that the Tommy's portrait becomes a cartoon. Fortunately, James Franco is fully committed to the role, disappearing from the role turning into a distracting filmmaker. His turn is not only personification; Franco Tommy is a man driven by clear and relative themes, which makes him a compassionate hero who follows this narrative. You will never feel that Franco is making fun of Wiseau's speech habits or pattern, and you will just make the character truly stunning. Franco has received quite a few awards for his performance and is more in line with the hype in this regard.

If you wish me to be here. Aiden Bloom (Zach Braff) is a family member and a struggling actor - still waiting for his big breakthrough in Hollywood. His two-year-old father, Aiden, is supported by his hard-working wife Sarah (Kate Hudson) as she does the amazing job of entering data for her husband to attend auditions and pursue his dreams. Aiden's father Saul (Mandy Patinkin) also makes a donation to Bloom's children, Grace (Joey King) and Tucker (Pierce Gagnon) for a salary at a Jewish private school.

However, when Saul leaves school due to rising health costs and declining health, Aiden faces a reality: the 35-year-old is pursuing a dream that is unlikely to come true, neglecting his family, home and himself. value. Unsure of what to do next, take the oath of Bloom and join Grace and Tucker to improve the relationship between her father and Aiden's native brother, Noah (Josh Gad), renovate the family home, prepare the children for life in public school, and contemplate their direction into adulthood .

He was a director, co-author (with his brother Adam J. Braff), producer and star. Zach Braff used a Kickstarter campaign to launch funding for Wish I Was Here. Mass funding for the project was a controversial decision, especially after Worldview Entertainment signed additional funding for the film, but the filmmaker says Wish I Was Here - his first directorial attempt at Garden State since 2004 - would not be able to screen. as part of the traditional studio system. It was an interesting experiment (which other writers have already started considering), but the end result is a mixed but enjoyable mix of powerful insights into archival archives. Dear Garden State filmmakers will find Braff.

Without a doubt, the original story of "Wish I Was Here" was discovered in the film several times. Aiden's bow largely borrows from dead narratives (a man-child who has been forced to take control of his life and reconcile with his terminally ill parent); Nevertheless, while viewers will have a hard time determining how well the different parts of the film fit together, wrapped in an orderly but authentic finale, Braff injects a moment of enough ironic humor and momentary humanity to take the Hollow Imitation over Wish I Was Here. . In many media, acclaimed writers have told similar stories of timeless executions, and while Braff's latest attempt is not his age as a striking classic, the film contains enough related (and downright fun) material to

Braff again decides to go on a double wandering behind and in front of the camera - and like Garden State, the actor is very loving in the lead role. It is a loud, but familiar performance that, despite many attractive scenarios, uses the actor's strengths, without breaking its boundaries or revealing anything unique in a surprising way. As a result, many wonder if Wish I Was Here would be better if the director were chosen to direct a separate character in the lead role.

The Strange Case of Benjamin Button is a film adapted from Scott Fitzgerald's 1921 Scottish short story about a man who was born old and turned up to death. The movie adaptation carries that businesshowever, the relief in the new environment, the old habits are hard to bear. He takes on the task of doing high-performance custom shooting (Edward's specialization in weapon making) for a lovely assassin (Thekla Reuten) who is a bit of an unrepentant specialist that Edward was.

I only went to No Country For Old Men when I knew everyone was talking about how great it was, but I didn't really know much about the plot. As it turned out, this was different from what I hadn't thought much about knowing it.

Entering the Coen brothers' film, he always knows that he will get interesting characters and unusual stories, and here too is no different. No Country For Old Men is about the characters, and when it comes to the storyline, it's one of those movies where you can't really predict what's coming next.

Based on real events, the Million Dollar Arm follows professional sports agent JB Bernstein (Jon Hamm) and his partner, Ash Vasudevan (Aasif Mandvi), who found themselves in hard times after leaving well-paid positions at a corporate agency. JB was desperately trying to save the start-up and maintain his own luxurious lifestyle. JB hosts the Million Dollar Arm reality contest in India to seek out undiscovered sports talent to turn into professional American baseball players.

JB brings race winners Rinku Singh (Suraj Sharma) and Dinesh Patel (Madhur Mittal) to America for training - under the supervision of an amazing trainer Tom House (Bill Paxton). Despite their hard work and willingness, Singh and Patel, along with their translator / ambitious baseball coach Amit Rohan (Pitobash), have a hard time adjusting to American life - especially when JB's interest is linked by the ability to sign a triple signature. NFL Client. With no one backing them from a tiny Indian village, Singh and Patel are starting to crumble - forcing JB to decide to lose impatient investors and give newbies the proper care they both need to be successful.

The story of Armion Dollar Arm on the big screen was brought to the big screen by the talented couple Thomas McCarthy (Win Win) and director Craig Gillespie (Lars and a real girl). As with any movie based on true events, Gillespie and McCarthy have redesigned aspects of the true story to add value to the entertainment and drama for the filmmakers - and bring more less subtle themes into the home. The result is a harmless film with a good feeling, which is further enhanced by winning performances by Indian stars. Nevertheless, the Million Dollar Arm hardly distinguishes a similar gambling / cold sports manager tale that is reinforced by a relationship with one or two eccentric or discerning customers. As a result, Gillespie "The movie should appeal to sports fans, but casual viewers who

Sometimes the narrative is extensive - especially the part that actually takes place in India. Gillespie gains fresh energy on JB's overseas trip, making the Million Dollar Arm story unique and inviting - until the story returns to the concrete jungle of Los Angeles. Upon his return to America, McCarthy's narrative plunges into the traditional war between "war" and "heart", while JB reverts to calculating snobbery - only through apparent girl-next-door Brenda Fenwick (Bell Lake). For treating Singh and Patel thoughtlessly. Filmmakers who've seen similar scenes before should easily predict what the Million Dollar Arm will play, and select scenes feature fun fish from the water moments and uplifting revelations.

o rarely discovers a gap in the film (dying river people) and becomes a visually captivating and fully realized film in film colors. In fact, the first half of the film (the meeting of Ellis and Neckbone and his attachment to the Mud) has an almost dreamlike feature in its magnificent iconography and mise-en-scene composition.

While the voice of the film changes in the second part (from dream ideals to specific reality), many series and recordings still carry a somewhat surreal aesthetic that elevates the intrigue and beauty of the rich working class; even more than in other films, Mud portrays Nichol as a sharp and artistic visual storyteller. There is also a wonderful horror of fear in the movie that hides many of the narrative and thematic points we reach (ultimately). Nothing in Ellis's world feels safe or stable enough - adding even more intrigue and tension to the early series as he still feels his mysterious new friends drifting away.

In the scenarios of things, Nichols is effective in creating characters with rounded and interesting characters (played by good characters), but is not as effective in guiding these characters to a destination over time or effectively. The story repeats and episodically unfolds, and not every character and / or moment is as critical as the story thinks.

What comes to your mind when you hear Ben Affleck's name? Let me tell you what comes to mind: a series of really bad career choices. Every dogma in his autobiography has Gigli. There is a survival of Christmas to be hunted on for any goodwill. In fact, for a moment it seemed as if he would sit on the edge and take care of the leftover meal corresponding to Hollyweird on the table, while his friend and fellow actor, Matt Damon, ended up with full recognition and success. But then a surprising event happened. He starred impressively in a really good Hollywoodland movie. Okay, I admit, that didn't look like George Reeves at all, but it didn't matter to me. His performance was sincere, charismatic and heartfelt. It was the best acting performance I have ever seen. For the first time in a long time, I felt that Ben Affleck wasn't a coincidence in Hollyweird.

What was my first reaction when I heard that Ben Affleck was writing a movie with his younger brother's protagonist and that he was making his feature film debut? I'm not ashamed to admit that I cut it. After watching the video, I'm here to say I was wrong. I really underestimated Affleck's cinematic abilities. Gone Baby Gone is not only one of the best films I have seen this year, but I wouldn't be surprised if Ben Affleck were nominated for Best Director.

Based on the book of the same name by Dennis Lehane (who also wrote Mystic River), the story of a four-year-old girl named Amanda McCready, who was abducted and disappeared three days ago. Amanda is from a poor neighborhood, so her case doesn't get as much attention as if it came from a richer neighborhood. To get around this little problem, Amanda's aunt Beatrice (played by Amy Madigan) reports on all the media occasions she can think of, and it soon turned into a media circus. Almost every policeman in the neighborhood is assigned to the case, but Beatrice is still not happy. Goes to Patrick Kenzie (played by Casey Affleck), a private investigator specializing in missing persons, Beatrice and her husband Lionel (played by Titus Welliver), Patrick and his girlfriend, They want to hire Angie (played by Michelle Monaghan) to find their daughter. Patrick and Angie are seen as smart people who can get information about Amanda's disappearance that the cops don't know.

Based on the book of the same name, The Disaster Artist describes the creation of Tommy Wiseau's famous cult classic, The Room, which is widely regarded as Kane's citizen by bad movies. The Room, originally released in 2003, has grown to surpass its own horror film and rose to the line of "so bad it's good" thanks to its sober (but inherently flawed) aspirations and Wiseau's own mysterious personality. It has gained widespread cult in recent years, and today it evokes the midnight outline, entertaining movies everywhere. Anyone who has seen The Room can say that it is an experience, and the same can be said about the story behind it The Disaster Artist is a charming tale of friendship and the pursuit of dreams that contains a surprising punch.

In 1998, Greg Sestero (Dave Franco) is a struggling actor who did not make a great impression on his acting class. His life changes when he meets the mysterious Tommy Wiseau (James Franco), a mysterious character who is not afraid to wear his emotions over his vagina and get crushed during the roleplaying

The mud is inside a young boy named Ellis (Tye Sheridan), a river rat from Arkansai who spends his days exploring the local waters with his friend, the river rat, "Jacob Lofland." One day the boys' curiosity leads them to a small rock on the island where they meet on a boat tucked into a tree. The same ship is also a drifting temporary hideout called The Mud (Matthew McConaughey) that asks the boys for help.

Ellis and Neckbone quickly learn that Mud is wrapped in a dirty mess that has long been loved by Juniper (Reese Witherspoon), the law, and some Texans looking to return. Even though Ellis faces some of the challenges of his own life (at home or in teenage romance), his fascination with the mud and Juniper's tragic romantic love can lead him to danger.

The latest idea from writer / director Jeff Nichols (Take Shelter), Mud is a ruminant with a serious love and change, composed with a unique background (Arkansas Backwater) and a series of very well drawn characters. Unfortunately, the movie is also flooded and distracted by narrative, so it sacrifices the power of the theme and narrative of part of the plot.

As a director, Nichols fantastically creates the world of film. Mud

Tuesday, June 29, 2021

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 Angel hires young Kevin (Jacob Batalon) as his trusted team "Sancho", but not everyone in town is happy with the couple's various exploits.

From Earth to Echo, in the small town of Nevada, we meet three young friends who are suffering eviction from their community to make way for a new highway. Not ready to make ends meet, young video blogger Tuck (Brian "Astro" Bradley) convinces his foster child's best friend Alex (Teo Halm) and tech geek buddy Munch (Reese Hartwig) to the last. . Goonies-style shot of saving the city.

Their chances are causing a mysterious confusion on their cell phone - this confusion will soon be recognized as a map. With nothing to lose and a possible discovery that could save their city, the boys ride their bike into the desert to find what's hiding at the end of the mysterious map. What the discovery - and what it ultimately leads to - will change their lives forever - regardless of the outcome of that one cardinal night.

From Earth, it can rightly be described that Goonies meets ET via the video found - and the actual movie largely reflects the meaning of that description. Earth reflects many wonders and hearts from ET, mingling with the nighttime adventure and danger of the Goonies, but ultimately holding back the usual flaws in the format of the footage found. The end result is a fresh but familiar sci-fi adventure for teenagers that isn't as good as it could be, but still having a good time.

Commendation goes to the team of Zombie Roadkill writers and directors Henry Gayden and Dave Green (whose story is thanks to producer Andrew Panay) for making more records found than most filmmakers. The script does well, providing amateur documentation of events with characterization and logical motivation (a vlogger after a millennium tries to save her city), and then maintains that logic in most of the footage shot throughout the movie (bicycle handicap cam, spy camera, etc.).

Filmmakers move cautiously as they incorporate a story into a loud narrative that immediately explains and justifies any cuts or other noticeable changes to the material. (Since we are observing the facts in retrospect, there is no contradiction to the visual cues that tell us we are viewing a fictional and edited work.) It is not so much a found footage as a bogus document, and this distinction is the only difference to the world.

... And yet the same distinction is the biggest obstacle in the film. Gayden and Green are laying such a solid foundation for the movie - with good assumptions, well-rounded and relative adolescent characters, and Echo's adorable alien essence - that the lack of presentation becomes frustrating. There is quite a good, traditionally shot film here, and this fact makes it all the more disappointing as decisions and changes that might otherwise have worked in a traditionally filmed film (random encounters, comedy series, prank, kinetic movements). flat if found in a recorded recording format

The American title should probably be seen as a sense of total irony, since George Clooney as the main character is probably the only "American" character in the film. The director (Anton Corbijn) is from the Netherlands, the authors of the source novel and its script (Martin Booth and Rowan Joffe) are from the UK, and most of the co-stars also share the screen with Clooney from other countries. lake as they say.

Americans awaiting Clooney's next action / thriller will come out disappointed - those who are patient and appreciate the aesthetic sensitivity of European cinema over the kinetic sensitivity of American cinema will be fine.

Clooney plays the required killer - we never know for sure his name (Jack or Edward), paranoid, highly trained in murder, lonely and tortured. When the movie opens, Edward (the name more used in the movie) is apparently trying to settle down and accept the life of the average man, which of course means finding someone (dear Irina Björklund) to share her life with. But of course love is never a good idea if you are in the killer business - as it reminds Edward of a difficult road.

With enemies on the tail, Edward contacts his manager Pavel (Johan Leysen) and moves to a remote Italian town to wait for further instructions. In Castel del Monte, Edward tries to remain invisible, but eventually gets the attention of a local priest, Father Benedett (Paolo Bonacelli) and Clara (Violante Placido), a local prostitute with whom Edward is associated. Both Tata, Benedetto and Clara Edward are recognized as rescued sinners who need salvation, be it through God or through love, which may inevitably be the same (as the film suggests).

Edas Edward finds herAfter twenty-five years and six films by Kevin Smith's View Askewniverse, he came to the same conclusion for a while in the shared universe, the MCU: he had already done his homework and understood most of his credentials or had no investment at all in those films. The seventh entry, Jay and Silent Bob Reboot, is very similar to Endgame in the sense that it is a love letter to the brand's story, but also gives the opportunity to correct the creator's previous mistakes and bring a new sense of maturity and wisdom to the table. There's also a low-end strike that includes a portable outbuilding, because as soon as the older and wiser Smith realizes there's nothing wrong with the cuckoo if it has a worthwhile goal (literally).

Jay and Quiet Bob Reboot take on the present when the eponymous duo (Jason Mewes and Smith) are arrested for running a marijuana store in a store next to Quick Stop Groceries. While their court-appointed attorney (Justin Long) has little difficulty explaining their names, he is also cheating the party into signing the rights to the name Saban Films. It turns out that Saban is working on a Bluntman reboot and a chronic film that is now a cult classic, complemented by its own Chronic Con convention. Jay and Silent Bob, who decided to get their names back and stop the reboot, made their way to Hollywood again. But they change their lives along the way: Jay has a teenage daughter, Millennium "Milly" Faulken (Harley Quinn Smith), and she wants

In 1917, it was easy to feel like a difficult movie. Sam Mendes 'World War I epic (which Mendes' paternal grandfather was slowly telling him about based on the war story) was shot and edited to look like it had been shot in a single shot, much like the Academy Award-winning Birdman and other films single shot earlier. Admittedly, Mendes and legendary operator Roger Deakins rarely pay attention to their operator event screens - not that their approach is not entirely successful either. A good job of 1917 and an undisputed technical achievement, but the real-time narrative are both the film's greatest assets and its greatest problems.

The action of the film begins on April 6, 1917 in northern France. As World War I rages around them, young British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) receive an urgent mission to traverse enemy territory that has recently been liberated by the German army. Their commander-in-chief, General Erinmore (Colin Firth), believes that this retreat is indeed of strategic importance and that the Germans have imprisoned a 1,600 British battalion, including Brother Blake. If the British Army telephone line is banned, Blake and Schofield will have to walk a treacherous path and reach the battalion the next morning to warn them of a planned ambush against the Germans before time runs out.

Parkland investigates the direct consequences of the assassination of US President John F. Kennedy in Dallas, Texas while driving a car on November 22, 1963. The film follows the chaos that took place through the prism of a kaleidoscopic narrative, which, on average, unfolds in several ways. units that get caught (one way or another) during the storm thus created.

The squad includes the young and inexperienced Dr. Charles "Jim" Carrico (Zac Efron) and the more experienced nurse Doris Nelson (Marcia Gay Harden) - along with other Parkland Hospital staff - who unexpectedly engage in a desperate fight to save the president. life. Also starring are Abraham Zapruder (Paul Giamatti), a regular cinematographer who accidentally shoots key photos of the Kennedy shootout, and Robert Oswald (James Badge Dale), a man who has to fight his brother Lee Harvey Oswald (Jeremy Strong). he has - and still has - his family.

A year after Terry Gilliam's Long Gestures premiered, The Man Who Killed Don Quixote, viewers relish yet another - and very different - classic novel by Miguel de Cervantes. Luckily for the filmmakers, the Real Don Quixote didn't spend 29 years in development hell. Writer / director Chris Poche started his principal shooting in 2017 and the movie is now available on a variety of streaming platforms and on demand. If someone didn't get the Don Quixote full fix with Gilliam's movie, this movie is definitely worth a watch. The Real Don Quixote is a great and entertaining tale of a famous story, backed up by a dedicated performance by Tim Blake Nelson.

In Real Don Quixote, Nelson plays Daniel Kehoe, a middle-aged lonely man who calms down by reading books about legendary medieval knights. His obsession runs so deep that one day Daniel jumps up and believes he's one of those knights himself. Taking the title of La Mancha Don Quixote, he begins a noble effort to eradicate all traces of evil and tyranny in his small neighborhood. D

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