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 Angel hires young Kevin (Jacob Batalon) as his trusted team "Sancho", but not everyone in town is happy with the couple's various exploits.


From Earth to Echo, in the small town of Nevada, we meet three young friends who are suffering eviction from their community to make way for a new highway. Not ready to make ends meet, young video blogger Tuck (Brian "Astro" Bradley) convinces his foster child's best friend Alex (Teo Halm) and tech geek buddy Munch (Reese Hartwig) to the last. . Goonies-style shot of saving the city.


Their chances are causing a mysterious confusion on their cell phone - this confusion will soon be recognized as a map. With nothing to lose and a possible discovery that could save their city, the boys ride their bike into the desert to find what's hiding at the end of the mysterious map. What the discovery - and what it ultimately leads to - will change their lives forever - regardless of the outcome of that one cardinal night.



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From Earth, it can rightly be described that Goonies meets ET via the video found - and the actual movie largely reflects the meaning of that description. Earth reflects many wonders and hearts from ET, mingling with the nighttime adventure and danger of the Goonies, but ultimately holding back the usual flaws in the format of the footage found. The end result is a fresh but familiar sci-fi adventure for teenagers that isn't as good as it could be, but still having a good time.


Commendation goes to the team of Zombie Roadkill writers and directors Henry Gayden and Dave Green (whose story is thanks to producer Andrew Panay) for making more records found than most filmmakers. The script does well, providing amateur documentation of events with characterization and logical motivation (a vlogger after a millennium tries to save her city), and then maintains that logic in most of the footage shot throughout the movie (bicycle handicap cam, spy camera, etc.).




Filmmakers move cautiously as they incorporate a story into a loud narrative that immediately explains and justifies any cuts or other noticeable changes to the material. (Since we are observing the facts in retrospect, there is no contradiction to the visual cues that tell us we are viewing a fictional and edited work.) It is not so much a found footage as a bogus document, and this distinction is the only difference to the world.


... And yet the same distinction is the biggest obstacle in the film. Gayden and Green are laying such a solid foundation for the movie - with good assumptions, well-rounded and relative adolescent characters, and Echo's adorable alien essence - that the lack of presentation becomes frustrating. There is quite a good, traditionally shot film here, and this fact makes it all the more disappointing as decisions and changes that might otherwise have worked in a traditionally filmed film (random encounters, comedy series, prank, kinetic movements). flat if found in a recorded recording format


The American title should probably be seen as a sense of total irony, since George Clooney as the main character is probably the only "American" character in the film. The director (Anton Corbijn) is from the Netherlands, the authors of the source novel and its script (Martin Booth and Rowan Joffe) are from the UK, and most of the co-stars also share the screen with Clooney from other countries. lake as they say.




Americans awaiting Clooney's next action / thriller will come out disappointed - those who are patient and appreciate the aesthetic sensitivity of European cinema over the kinetic sensitivity of American cinema will be fine.


Clooney plays the required killer - we never know for sure his name (Jack or Edward), paranoid, highly trained in murder, lonely and tortured. When the movie opens, Edward (the name more used in the movie) is apparently trying to settle down and accept the life of the average man, which of course means finding someone (dear Irina Björklund) to share her life with. But of course love is never a good idea if you are in the killer business - as it reminds Edward of a difficult road.


With enemies on the tail, Edward contacts his manager Pavel (Johan Leysen) and moves to a remote Italian town to wait for further instructions. In Castel del Monte, Edward tries to remain invisible, but eventually gets the attention of a local priest, Father Benedett (Paolo Bonacelli) and Clara (Violante Placido), a local prostitute with whom Edward is associated. Both Tata, Benedetto and Clara Edward are recognized as rescued sinners who need salvation, be it through God or through love, which may inevitably be the same (as the film suggests).


Edas Edward finds herAfter twenty-five years and six films by Kevin Smith's View Askewniverse, he came to the same conclusion for a while in the shared universe, the MCU: he had already done his homework and understood most of his credentials or had no investment at all in those films. The seventh entry, Jay and Silent Bob Reboot, is very similar to Endgame in the sense that it is a love letter to the brand's story, but also gives the opportunity to correct the creator's previous mistakes and bring a new sense of maturity and wisdom to the table. There's also a low-end strike that includes a portable outbuilding, because as soon as the older and wiser Smith realizes there's nothing wrong with the cuckoo if it has a worthwhile goal (literally).


Jay and Quiet Bob Reboot take on the present when the eponymous duo (Jason Mewes and Smith) are arrested for running a marijuana store in a store next to Quick Stop Groceries. While their court-appointed attorney (Justin Long) has little difficulty explaining their names, he is also cheating the party into signing the rights to the name Saban Films. It turns out that Saban is working on a Bluntman reboot and a chronic film that is now a cult classic, complemented by its own Chronic Con convention. Jay and Silent Bob, who decided to get their names back and stop the reboot, made their way to Hollywood again. But they change their lives along the way: Jay has a teenage daughter, Millennium "Milly" Faulken (Harley Quinn Smith), and she wants



In 1917, it was easy to feel like a difficult movie. Sam Mendes 'World War I epic (which Mendes' paternal grandfather was slowly telling him about based on the war story) was shot and edited to look like it had been shot in a single shot, much like the Academy Award-winning Birdman and other films single shot earlier. Admittedly, Mendes and legendary operator Roger Deakins rarely pay attention to their operator event screens - not that their approach is not entirely successful either. A good job of 1917 and an undisputed technical achievement, but the real-time narrative are both the film's greatest assets and its greatest problems.


The action of the film begins on April 6, 1917 in northern France. As World War I rages around them, young British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) receive an urgent mission to traverse enemy territory that has recently been liberated by the German army. Their commander-in-chief, General Erinmore (Colin Firth), believes that this retreat is indeed of strategic importance and that the Germans have imprisoned a 1,600 British battalion, including Brother Blake. If the British Army telephone line is banned, Blake and Schofield will have to walk a treacherous path and reach the battalion the next morning to warn them of a planned ambush against the Germans before time runs out.



Parkland investigates the direct consequences of the assassination of US President John F. Kennedy in Dallas, Texas while driving a car on November 22, 1963. The film follows the chaos that took place through the prism of a kaleidoscopic narrative, which, on average, unfolds in several ways. units that get caught (one way or another) during the storm thus created.


The squad includes the young and inexperienced Dr. Charles "Jim" Carrico (Zac Efron) and the more experienced nurse Doris Nelson (Marcia Gay Harden) - along with other Parkland Hospital staff - who unexpectedly engage in a desperate fight to save the president. life. Also starring are Abraham Zapruder (Paul Giamatti), a regular cinematographer who accidentally shoots key photos of the Kennedy shootout, and Robert Oswald (James Badge Dale), a man who has to fight his brother Lee Harvey Oswald (Jeremy Strong). he has - and still has - his family.




A year after Terry Gilliam's Long Gestures premiered, The Man Who Killed Don Quixote, viewers relish yet another - and very different - classic novel by Miguel de Cervantes. Luckily for the filmmakers, the Real Don Quixote didn't spend 29 years in development hell. Writer / director Chris Poche started his principal shooting in 2017 and the movie is now available on a variety of streaming platforms and on demand. If someone didn't get the Don Quixote full fix with Gilliam's movie, this movie is definitely worth a watch. The Real Don Quixote is a great and entertaining tale of a famous story, backed up by a dedicated performance by Tim Blake Nelson.


In Real Don Quixote, Nelson plays Daniel Kehoe, a middle-aged lonely man who calms down by reading books about legendary medieval knights. His obsession runs so deep that one day Daniel jumps up and believes he's one of those knights himself. Taking the title of La Mancha Don Quixote, he begins a noble effort to eradicate all traces of evil and tyranny in his small neighborhood. D

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